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              Folk Instruments' Page Two...
              Historical
              Background: The fife is a wind instrument that is believed
              to have originated in China as early as 800 B.C. Also known as
              a "cross flute," or "traverse flute," the
              fife was introduced through Byzantium to Europe sometime during
              the 1100s. The fife soon became an important folk music instrument
              in the region east of the Rhine River.
              The name "fife" came to be when German and Swiss
              peasants adopted this instrument into their cultures. Germans
              called their wind instrument "zwerchpfeiffen" (or "cross
              fife"), while the Swiss called it "schweitzerpfeiffen"
              (or "Swiss fife"). From these two countries, the fife's
              popularity spread to the rest of Europe during the later part
              of the Middle Ages.
              Since Swiss army troops began using fifes in the early 1500s,
              they have been closely associated with military music. In wartime,
              Swiss military units used fifes and field drums for control and
              command purposes during military engagements. In 1534, the French
              army made a regulation that there would be two fifes and two
              drums for each company (1,000) of troops. By 1539, fifes and
              drums were being used in England at Christmas festivals. The
              use of fifes and drums were eventually adopted by the English
              army during the 1550s and 1560s. By this time, one could hear
              them played on theatrical stages in London as well as elsewhere
              in England.
              Michael Praetorius described the Swiss fife in the 1600s as
              being two feet long and had a range from G1 of the 1st octave
              to C3 of the 3rd octave. During his reign, King James II (1685-1688)
              prohibited his English army from using fifes. The fife had other
              critics in England during this period. Oliver Cromwell called
              the fife a "profane instrument" and William Shakespeare
              -- in his plays "Othello" and "The Merchant of
              Venice" -- referred to the fife's "vile squealing"
              and "ear-piercing" qualities.
              Even though it fell from grace in England, the fife continued
              to be a popular instrument with the German and French peoples.
              In 1745, the fife was reintroduced to the British Foot Guards
              by a young German fifer. No matter what an Englishman thought
              about the fife's sounds, it was still a very good instrument
              for helping soldiers march in cadence. Eventually, the fife was
              being used by other British army units. It was one of these British
              army units that brought fifes to Colonial America and introduced
              fifers to the colonists.
              By 1764, fifes and "fife tutors" (instruction books)
              were being advertised in Boston newspapers. One of these newspapers
              would four years later report that "British troops landed
              and marched to the Boston Common with colors flying, drums beating,
              and fifes playing." After the Boston Tea Party on the night
              of December 16, 1773, the "Indians" marched home to
              "the spirited sounds of the fife." This historic event
              launched the fife's destiny that would not only make it a symbol
              of the American Revolutionary War, but also an icon of American
              independence.
              The American Revolutionary War began in April, 1775, at Lexington
              and Concord, Massachusetts. The colonial "minutemen"
              who engaged British troops then had with them their fifes and
              drums. At Concord Bridge, a militia fifer played "The White
              Cockade." Later at Bunker Hill, colonial fifers and drummers
              played "Yankee Doodle" during their battle with the
              "redcoats."
              In April, 1775, the newly appointed commander-in-chief of
              the Continental Army, George Washington, issued orders that every
              militia company have one or two fifers and drummers. However,
              there was a shortage of these instruments in the Continental
              Army -- at least until the Continental Congress authorized fifes
              and drums for the army.
              As a musical instrument, early American-made fifes were inferior
              due to the crude craftsmanship used to produce them. The superior
              fifes found in America were produced in Europe and usually came
              from England. One factor was American-made fifes often had burned
              (instead of drilled) blow holes and finger holes. Another was
              the fact that there were not many musical instrument makers in
              America yet. The instrument makers that did exist in America
              often chose to make flutes rather than fifes.
              The fife that was usually used in early American drum and
              fife corps was the 17-inch "BO fife."
              Fun
              Fact: When Benjamin Franklin was a militia colonel in
              Philadelphia, he had his regiment pass in review with "hautboys"
              and fifes -- as early as 1756!
              Fun
              Fact: To "combat" the shortage of fifes and
              drums during the American Revolutionary War, Major Jonathan Goselow
              established a factory and delivered 163 fifes and 54 drums to
              the Continental Army on August 23, 1780.
              Not-So-Fun
              Fact: "Yankee Doodle" was often played by British
              military units to ridicule the American colonists!